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asylum-art: Laurence Le Constant: Feather skulls After studying applied arts with a specialistion in fashion and textile design, she completed her education with studies in the Fine Arts at the Sorbonne and in couture at the cole de la Chambre Syndicale
asylum-art: ELiza Bennett ELiza Bennett is a London based artist who recieved a BTEC National Diploma in art, focusing on textiles. She then continued to pursue a BA in Fashion Design at Middlesex University. Eliza creates visual narratives with her
patternbase: nezartdesign: Franz Kline. Gorgeous color study for textile designers.
the-naked-truth-teller: Early in the morning before the textiles come and take their places on the beach and such natural pleasures must be enjoyed in designated places.
hauntedwoods: Leopold Forstner textile cushion designs c 1908
design-is-fine: Verner Panton, Visiona 2, 1970. Originally, the chemical giant Bayer had only chartered the Rhine boat “Loreley” to promote its synthetic fiber Dralon in a home textile exhibition right next to the Cologne furniture fair. However,
tiffanydreams7:Amy Sia | society6.com/AmySia Amy is an australian textile designer based in London, and like everything else in London she is cool as shit, and her work is amazing. Make sure to check all of her prints. She also make scarves! Be sure
design-is-fine: Georgina von Etzdorf, textile design Nimbus, 1990. Hand screen printed on jacquard woven fabric. UK. Via Cooper Hewitt I don’t even think I know what I am looking at. But it is pretty.
Threads for Cockaigne / Photo by Imke Ligthart for Martijn van Strien
Colleen & Molly Corby, Seventeen Magazine, July 1970 for Dan River 👭 📷 🎨 #ColleenCorby #MollyCorby #models #model #70s #1970s #seventies #seventeen #SeventeenMagazine #retro #vintage #textile #cloth #pattern #patterns #style #design #beauty
lmcosplay: Hanzo Shimada FestivalHaori textile design by me @lmcosplay
igormag:Josef Frank (Swedish, born Austria, 1885–1967), textile design
design-is-fine: Tommi Parzinger, pattern for textile design, 1930s. Via Cooper Hewitt
fashionbooksmilano:La grammatica dei tessutiMichela FinauriniIllustrazioni : Shutterstock ImagesGribaudo, Milano 2022, 224 pagine, Rilegato, 18.4 x 25.5 cm, ISBN 978-58-580-4312-7euro 22,90email if you want to buy :booksinprogressmilano@yahoo.it
design-is-fine: Raoul Dufy, textile design, 1920s. Via fidmmuseum Dufy (1877-1953) was a French painter who met couturier Paul Poiret around 1910. Together they established a workshop for block-printing textiles. As a painter, Dufy was associated with
design-is-fine: Alvin Lustig, textile design Intaglio, 1948-49. From the Exhibition Designing Home, til Oct 2014: Contemporary Jewish Museum, San Francisco.
design-is-fine: Liubov Popova, textile design, 1920s.
design-is-fine: Josef Hoffmann, design for textile, 1950s. Brush and black gouache, graphite on graph paper. Vienna. Via Cooper Hewitt.
bauhausbuzz:Gunta Stölzl, design for a Jacquard woven textile, Jacquardentwürfe, 1927. bauhaus Dessau. The J. Paul Getty Museum, Malibu, CA. Via guntastolzl.org design-is-fine:
design-is-fine:Gunta Stölzl, design for a Jacquard woven textile, Jacquardentwürfe, 1927. bauhaus Dessau. The J. Paul Getty Museum, Malibu, CA. Via guntastolzl.org
design-is-fine: Pochoir Prints, design for textile or wallpapers, 1920s. Schweitzer, Burkhalter, FIT NY
phileas69: design-is-fine: Liubov Popova, textile design, 1920s. Liubov PopovaMotif textile à triangles tronqués / Textile design with truncated trianglesEncre de Chine / Indian ink24.8 x 17.1 cm1923 - 1924 (plus de / more by Liubov Popova)
mitakuye-oyasinn: Gunta Stölzl textile design, 1920s
design-is-fine: Angelo Testa, textile Stilts, 1951. Cotton, USA. Via Cooper Hewitt. Testa, one of the most important fabric designers of the late 1940s-50s, is credited with introducing abstract and non objective motifs to commercial textile design in
design-is-fine: C. F. A. Voysey, textile design, 1918. Watercolour. London. Via V&A
furtho: Liubov Popova’s textile design, 1920s (via here)
nemfrog:4537. French textile design. 1863.
robert-hadley: Textile Design, 1930s. Source: cooperhewitt.org
robert-hadley:Textile Design - Source: cooperhewitt.org
design-is-fine: Alvin Lustig, textile design “Incantation”, 1947. Via Cooper Hewitt.
furtho: Michael O’Connell’s textile design, c1933 (via here)
design-is-fine: Lena Meyer-Bergner, design drawing, 1936. Via Galerie Ulrich Fiedler, Berlin Bergner (1906-1981) was one of the outstanding textile designers at the Bauhaus. After some years in the Soviet Union she married Hannes Meyer in 1937, who had
topcat77: Charles Rennie Mackintosh‘Waves’ textile design, produced in 1915
etsy: Caught our eye: the colorful work of Eugène Séguy (1890 – 1985), a French entomologist who transformed his beautiful illustrations into textile designs. Read more: Eugène Séguy - Science and Textiles | Patternbank.
sayhito-blog: say hi to_ Slowdown Studio | California | Textile Design
yearoftheglitch: Some new designs coming soon! Circuit Bent Digital Camera + Color Quantization = Digital Textile Design
chrisbmarquez: “MINDSET” preview done! #Workinonit bmarqb@gmail.com #artwork #inspire #artprints #artfreaks #artlife #typo #textile #design #power #changelife ##wallart #muralart #graphicdesign #goldenday
patternbase: screen printed textile design by Sara Wenokur www.swenokur.tumblr.com
thebirdandthevine: William Morris (1834-1896) English textile designer, artist and writer associated with the Pre-Raphaelite Brotherhood and English Arts and Crafts Movement.
igormag:Josef Frank (1885–1967), textile design Catleya, Linnen 315, 1930s.
design-is-fine:William Morris, textile design Golden Lily, 1899/1920s A. Sanderson Fabric, London. Jacksons.se
f-l-e-u-r-d-e-l-y-s: ’ARIANE’ Augustin Teboul autumn winter 2012-13 collection The designers explore the innumerable variations and shadows of black through their unique textile designs textures and transparencies.
my-anonymousworld: Fabric Manipulation - innovative textiles design with bubbly textures; fabric treatment // Bart Hess
toryburch: M is for Mesmerized by Morris And that’s William Morris, the English textile designer… Above, his “Bird and Anemone” print from 1881.
visualkultur:Alexander Girard Textile Designs, Knoll, 1947
puntadaconhilo: Bordado | Una muestra, aun sin terminar, del trabajo final de taller de Bordado y Diseño Textil. Embroidered | A sample, still unfinished, the final work of Embroidery workshop and Textile Design.
caitlinmarieshearer: Watercolour mermaids which were then utilised as a textile design for this dress.
asylum-art-2: Abbey Watkins Abbey Watkins is an illustrator currently based out of Manchester, UK. Much of Watkins’ work focuses on textile designs based off of pencil drawings that are then digitally colored in post. I didn’t get to throw in
furtho:Olle Eksell textile design (via A Sound Awareness)
wild-souls: design-is-fine: Alexander Morton, textile design, 1926. Inspired by Sardinian peasant embroideries. Cotton. England. Via Cooper Hewitt x
igormag: Josef Frank (Swedish, born Austria, 1885–1967), textile design Anakreon, 1930s.
yorkeantiquetextiles: Textile sample. Japanese, Late Edo or early Meiji era, 19th century. Silk plain-weave, hand drawn paste resist-dyed and painted (yûzen). Textile sample with design of rolling hills with Japanese bush clover (hagi) against
anne-sophie-tschiegg: French textile design. Maison Robert. 1863.
crossconnectmag: I love me some good prints! Nina Warmerdam is a dutch textile designer, based in Paris, and her work it’s exactly the kind of thing I would like to see more often in Fashion. She’s not afraid to use color or to experiment her way
igormag: Josef Frank (1885–1967), textile design Catleya, Linnen 315, 1930s.
design-is-fine: Alexander Morton, textile design, 1926. Inspired by Sardinian peasant embroideries. Cotton. England. Via Cooper Hewitt
arthistoryminor: Mixed Textile Designs // William Morris // Late 19th Century “Have nothing in your house that you do not know to be useful, or believe to be beautiful.”- William Morris